Friday, February 6, 2009

Air

Santiago reached into his bag and pulled out a faded red handkerchief. He used it to wipe the sweat trickling down his forehead and then shoved it into his pocket. He looked around him at the barren landscape and sighed cheerfully to himself. He had never disliked the desert. Even now, with miles to go before he reached the road, he only felt mild irritation at the sun beating down and the dirt swimming in the air, making its way into his respiratory system like a thick gas. Dirt was dirt, and the sun was the sun, and neither had anything personal against him, so why hold them responsible for his current discomfort?

He began to move forward again, taking calm, measured steps, one foot in front of the other. As he walked he sang a little song in his head, his feet plugging out a ponderous rhythm.

When I was a baby I cried for my mom
And then she would feed me or sing me a song
And now that I’m grown I am always alone
No mother to soothe me out here on the road


Santiago enjoyed making up little songs as he walked. He would sing this one for a while, and then, when it lost its charm, he would make up a new one. Sometimes other noises, besides the shuffle of his two feet, would add a little something to his song. A desert bird, chirping in time, or the heat waves along the horizon dancing like sweet violin voices in front of his eyes. This latest song, in particular, had a certain lilt to it that seemed to welcome accompaniment. But he wouldn’t miss it when it drifted from his memory; a new melody would come like a gift and he’d like it just as much.

-----

Twilight came and went quickly as Santiago continued across the flat desert floor, and before he knew it the sun was gone completely. His steps began to slow as the moon grew bright above him, until he came to a stop in front of a large rock. The rock was a little taller than him, and twice as long, nicely rounded except for a relatively flat surface on its top. Santiago hefted himself up onto the top of the rock and lay staring up at the sky. There were stars up there, of course, but he didn’t pay them any mind. Stars were stars, and, pretty as they were, he just couldn’t get excited about them. It was the same with the moon. Bold and bright, but just the moon after all. What Santiago looked at was the air.

Nearly black, the spaces between the stars and moon were fascinating. So was the air he could feel touching his nose and hands; it lay against his forehead and arms. He reached a hand up and tried to take a handful of it, but, as always, when he brought his hand back down, it was empty. Not empty, he told himself, just invisible to my eyes. For there it was, when he looked hard enough, sitting in his palm like a precious jewel, a trembling, living piece of… space. Now that was beautiful.

He fell asleep wrapped in a blanket of it.

-----

By the following afternoon, Santiago had reached the road. It was a dirt road- really, not much more than a track- not used very often. But he could never have missed it; it was too familiar to him.

For the first time since his journey began, Santiago turned from the straight line he had been tracing through the desert and began to follow the road. Now his songs were more buoyant, jubilant even.

Little Lana Lopsytipple
Went west to climb a tree
Fell into an ol’ goldmine
Broke her arm and scraped her knee
Broke her arm and scraped her knee


And:

Tuesday drags
Wednesday trickles
Out by the old brick wall
Thursday I’ll be far away
And Friday will be nevermore
It’s Monday Monday Monday

He chuckled as he repeated the little ditty, his feet kicking up big puffs of dust on the last line. Inside his head, his voice began to grow louder with each step. The sound of small rocks hitting each other or the ground as he knocked them out of his way was a loud and glorious percussion, the crescendo of a victor’s final fanfare. He alternated between marching, skipping, and striding, his arms pumping in the air. Ah, the air. Although he couldn’t see it like he could at night, he knew it was there. Knew it was dancing in circles around him and through the dust. Pushing at his back and bouncing under his feet. He was almost there.

-----

The path stopped. So did Santiago. Standing about four feet in front of him was a sturdy-looking post with a box secured to its top. The mailbox. Santiago walked forward, for once his mind completely void of all thought or sound, save one… He had made it; he was here. He reached a steady hand out and opened the little door on the front. Inside was a letter. On the front it read:

Santiago
All the Way Out Here
The Middle of Nowhere

He slowly tore open the flap on the other side of the envelope and took out a single sheet of paper. The paper made a slight crinkling sound as he unfolded it. It had only a few words on it and no signature. He read. It said:

"Santiago,
Go home. Get over it. Get real."

He read it again. And again. And again. He tried reading it backwards, and then through the opposite side of the paper, the sun filtering through the thin sheet. He tried translating it into another language and then back again. He counted where each letter stood in the alphabet, added them all together, and then divided by 2, 4, 6, and 8. His forehead was creased and his lips were pursed. He put the paper back in the envelope, back in the mailbox and closed the door. He took it out again, opened it back up, and read it again. But it still said the same thing. “Go home. Get over it. Get real.”

For the first time since his journey began, Santiago felt himself getting angry. He felt- before he realized what he was doing- his hand contract into a fist and the paper crumple against the folds of his fingers and palm. He quickly opened his hand and tried to smooth the paper out. He put it carefully back into its envelope again, and placed it gently on the ground. Then, making sure he was a few feet away, he stomped his right foot once, hard. Then again. Then the left foot. Harder. Then he jumped once, making sure both feet came down with full impact. Then he sank to his knees, and pounded his fists on the packed earth. He glanced at the letter and pounded his fists again, even harder this time. Again.

Santiago felt something warm and sticky, wet and clingy, drip once and fall into the dirt. He glanced down. A little bit of blood was dripping from his right hand, down his wrist and onto the ground. He stared, incredulously at the blood and then down at the brown earth beneath him. He wondered why the earth had done that to him, had made him bleed. His scowl deepened. He thought about how stupid the dirt was, how hard and unyielding. He looked back at his hand and noticed the blood was already drying. That’s when he noticed the sun for the first time that day. The stupid sun. He thought about how it hadn’t even given him a chance to get out his handkerchief to wipe off his hand and how angry that made him. He realized he hated the dirt and the sun. He hated the desert and the ugly brown colored dust that made him choke and wheeze. He hated the blaring sun and its unforgiving heat; that one big staring eye, unblinking, sizzling him with its scrutiny. Even when descending into the horizon, like it was now, the sun taunted him with its unmerciful intensity.

Then it hit him. Not only were the sun and earth stupid, but his body was too. He hands hurt. As if they had anything to complain about, he thought in disgust. He looked at his hands again, still clenched into balls, and wished he could chop them off. He thought about how ugly his skin looked, blood and dirt and sweat all mixed together- he couldn’t even tell what he looked like underneath all those layers. Yes, his body was stupid and he hated it. He wished it would all just go away.

-----

Santiago spent the next twelve days finding different things to hate. He hated the little rocks on the ground that got into the cracks of his shoes and made his feet ache. He hated the rises in the ground that he didn’t see coming that made him stumble. He hated the stupid desert birds that would chirp until his ears felt like they were going to explode. He hated his red handkerchief because it was dirty and could never wipe all the sweat from his face. He even hated the stupid air that he had used to find so much to wonder about. It’s just air, he told himself grimly, and there’s nothing more to it. At night he would try to grab pieces of it to recapture some of the old magic, but he had to acknowledge that he had been fooling himself all along; he couldn’t hold the air any more than he could get one of those stupid birds to shut up. There was nothing that he didn’t hate.

Out of all the things Santiago realized he hated in those twelve days, there were two things he hated the most. He couldn’t stand the stupid sturdy little mailbox with its dumb little door that opened and closed. And most of all, he hated the letter. That stupid stupid letter.

-----

Now, Santiago either went home or he didn’t. If he did, he may have begun making up little songs in his head again as he went. A song he could have made up if he did go may have sounded like this:

Oh where do the dogs in the street go
When I’m drifting fast into sleep
Are they singing to heaven when howling and barking
Can dogs hear a song in return?
Oh howl little dog if it makes you feel good
Though I have a few doubts on that score
To me you sound sad or unwell or insane
And I’m counting the hours till you’re done


He probably would laugh at that one and think it was one of his more clever ones. And he’d probably walk a little faster, to get the beat right.

If he did, in fact, go home that is.

If he didn’t, he must still be out there, finding more things to blame his unhappiness on. For one thing’s certain: his current predicament couldn’t possibly be his fault.

If he’s still out there, that is.

8 comments:

  1. Yay! You posted it!

    I have been thinking about this story since I read it yesterday, trying to figure out what it meant. I think one of the things I got out of it was the phenomenon of "attitude" and how that affects many things. You can be doing the same action but just the attitude you have while you are doing it makes a drastic difference.

    I also thought about expectations-- when I am hoping for something, even if it's just a small hope, or even if I am hoping for something trivial-- when that hope is shattered, I am devastated.

    I compare it to finishing a good book-- for days, maybe weeks, I have looked forward to opening the book when I have a spare moment. I have even tried to get some extra spare moments so that I can open the book and read. Then, I finish the book. And when I have a spare moment, for just a brief second I have the desire to open the book, but then I remember that I have finished it. I don't have anything to "hope" for anymore, the book is over. ...That's kinda what I felt like Santiago was going through. The whole way there, he had that hope that there would be something in the mailbox for him. It's what kept him going, what made even the air interesting to him. Then, when he reaches the box and realizes that what he hoped for isn't there, he takes what IS there and reads it over and over again in every way possible, still trying to cling onto the hope that got him all the way there. Finally, it sinks in that he has come all that way (and needs to go all the way back) and the hope is gone with nothing to replace it.

    Also, as I mentioned on Dad's post yesterday, I liked how in your story you never mentioned how he got food or drink to keep him alive. Maybe his hope was keeping him alive, who knows!

    This story was very well-written. Hope I'm not way off in my thoughts!

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  2. Here is an initial response. Perhaps the story is kind of a stream of consciousness experience, but overlayed with a rational form--like when you wake from a dream and impose a conscious narrative sense on it. In that case, a reasonable approach, it seems, would be to read it in a similar spirit.

    But it seems there is something there that is like a puzzle or mystery to be solved. There are questions that could be asked:

    What kind of thing could occur in my own life to get me to do this kind of thing or feel this way? Can I pass judgement on Santiago, or am I like him?

    He takes a journey through the desert and then down a road to receive a message--the message is a turning point or focal point--is it making a universal statement? "Go home. Get over it. Get real." (Is this like the sign I got for Christmas? "It is what it is.")

    The road is familiar to him--he couldn't miss it. Has he made this trip more than once? He was optimistic before he received it--was he expecting something different? Why?

    Was the letter sent to that mailbox through the U.S.Mail (with an address like "All the way out here The middle of nowhere")? Or did someone make a personal trip to deliver it? The phrase, "All the way out here" implies that the letter was addressed when there at the mailbox, not before.

    The address is also stated in a familiar way--which prompts me to ask: Did Santiago write the letter himself?

    A powerful image is the "dumb little door that opened and closed"--each word is strong--opened, closed, door, little, dumb. Also, the idea ofthe twelve days, evocative of the twelve days of Christmas, or at least something cosmic.

    He makes up the little songs when he is in a happy mood, but not one of the songs is happy. The first sets a tone early in the story: "When I was a baby I cried for my Mom."

    Santiago's initial interaction with the paper is quite poignant. I feel for him. He wants badly for it to mean something important. He crumples it but then he smooths it and carefully puts it back in the envelope. Then he stomps on it. Then he hurts himself and bleeds for it. This seems like grief or longing.

    Well, I'll sleep on it. Maybe when I wake I'll know more . . .

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  3. The fundamental idea in the story is estrangement and separation from home. This issue can account for the pathos in the story.

    Santiago wanted the letter to say something he hoped for, but his hopes are dashed when he reads it--it says the wrong thing. He either wanted it to say something completely different, or he is distressed by the nonreconciliatory tone of the letter. It's not clear if the letter is from home: it says to "go" home, not "come" home. However, if it is from home, it doesn't express any warmth and doesn't say anything like, "I'm sorry, we can work this out." Instead, the fault is all on the shoulders of Santiago: You change, it's your problem, "Get over it," "Get real." This could speak to the nature of the relationship and problem, and, again, could account for Santiago's emotonal reaction.

    The "dumb little door that opened and closed" can be a symbol for home and heart and the love or cruelty it can dish out. Also it can reference the sense of of misproportion of power--such a small thing with such a great possibility for effect.

    I had another thought: If we take the story as a spiritual parallel, it could tap into the frustration one might feel and being in life in a position of estrangement from God, but God seems to require us to take all the blame and make all the changes in order to return to him. God says, "Get real," the barrenness of life is your fault. I don't have this point of view about God, but there are people who might, and the story could lead to insight about these issues.

    Camilla, the story is evocative and interesting, with lots of rich images and ideas which could be discussed--the faded red handkerchief, the dust, the air (the title), the rock, howling and barking, the goldmine, etc., etc. As you can see, my reaction went in several directions. With all the independent-seeming, potent stuff that is in this story, it seems to me that you are not expecting a reader to just "get it"--a straightforward idea that should be obvious.

    I enjoy stories like this, though I have to be willing to put some effort into them.

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  4. Camilla, what were your thoughts as you wrote this?

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  5. I liked how the poetry showed his feelings, and the rest were conveyed by images. That made the story a lot more real, and a lot less preachy (as it could have been if the main character had monologued his thoughts and feelings.) I like it. I also like the name Santiago, and the desert as a sort of blank canvas... his attitude colored his perceptions.

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  6. A surrealistic "journey of life" story. At birth a baby is experiencing the world without preconceived knowledge. As Ron says, "It is what it is". Life becomes very frustrating, but much less so when God is involved. Santiago seems to be searching for something (maybe God) and hasn't found it. I would love to see you write a sequel with a happy ending. I'm a sucker for happy endings (though life is endless). If I ever write, it is not likely to be a fable, analogy, symbolic (or meaningful) in any way, but I very much enjoy reading other peoples allegories. You are a beautiful writer. You grabbed me immediately with the imagery, mystery and pathos. I want more.

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  8. How wonderful it is to read other people's interpretation of something you write.
    In response to questions about what it all means, I'd say that I wrote the story the way I did (especially the imagery) with the purpose of leaving people to make their own interpretations. Not that I don't know what it means to me. But, I'd say all answers are right- people seem to get what they want to, or what they are thinking about, out of stories- it was cool to see it happen with one of mine.

    To me it is more of a spiritual journey then an actual event. Kind of how Dad said: "a stream of consciousness." It's a journey to find an answer. Whether from God, or from himself, Santiago is on a mission to find the answer to a question that is dramatically important to his life. What he reads when he finally reaches his destination is not what he wanted. To him it sounds rude, unconciliatory, harsh, but that's the voice he chooses to read it in. His process of dealing with it ('cause yes, Dad, "it is what it is,") shows a few things about him. He didn't really expect to find 'an' answer, but 'his' answer, and therefore is unwilling to accept it. Obviously, he tries to find something else to blame, anything to hate instead of dealing with the truth of the answer. Anyway, that's what I was thinking about as I wrote, so that's what it means to me. Maybe it says something about how I sometimes react to answers too.

    As to the rest of the symbols (his songs, his fascination with the air, etc.) I could go on and on about them! Suffice it to say, Santiago likes exploration, even liked being on a journey (he just didn't like the destination.)

    Thanks for all the comments. What a cool blog this has been so far!

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